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1.
Soaring 04:45
Instrumental
2.
I Am A Pond 03:18
1. Ear-ly this morn-ing, I o-pened up my eyes Peered in-to the mir-ror and was met with no sur-prise Saw the same face as yes-ter-day star-ing back at me But some-thing made me take an-oth-er peek. So this time look-ing in the mir-ror I saw a lit-tle clear-er There's more to me than meets the na-ked eye: Chorus [Chorus] I am a pond and I am fond of know-ing There's a lot of grow-ing go-ing on in-side my hide, I am a pond, a bal-anced e-co-sys-tem Much more com-pli-cat-ed than I e-ver knew! 2.  From the tip of my toes, to the top of my hair I was a dan-g'rous "e-go-sys-tem", liv-ing blithe-ly un-a-ware. From this gift of rev-e-la-tion it now is clear to me: I hurt You if I care noth-ing much for me. In the com-mun-i-ty of me and the com-mun-ion of we I care deep-ly how e-v'ry por-tion fares. Chorus [Bridge] To the bac-ter-i-a a caf-e-ter-i-a With-out these crea-tures munch-ing on my food I nev-er would sur-vive Some un-in-vit-ed in-vad-ers try to crash the swim-ming par-ty so my genes can't swim a-lone in my pool. Al-though I've got a firm quo-ta, I don't blame them an i-o-ta In-side me is where it's at, I'm a hap-pen-in' hab-i-tat! 3. If I was to be a cit-y, more teem-ing I would be Than Tok-yo, Bei-jing, Bom-bay or L.-A. It takes co-op-er-a-tion to keep us all a-live So we're bus-ier than the bees work-ing in their hive. On this con-struc-tion I pon-der to my Mak-er of-fer won-der For I'm sure that some as-sem-bly was re-quired. Chorus [Last time] And And ev-'ry sev-en years I am am com-plete-ly new!
3.
Instrumental
4.
Just another sailor standing by the rail The war was won one year before How could Uncle Sam now fail? From the bullhorn came fateful orders In a bright metallic voice The Navy boys obeyed them, They didn't have a choice: "Just close your eyes before the blast or surely you’ll go blind; Go swimming in the water with no questions in your mind. We are testing atomic weapons In the South Pacific Sea.” At the Atoll they called, Bikini, They promised no trouble at all, at all. At the Atoll they called, Bikini, They promised no trouble at all, at all. He was my favorite uncle Wore tattoos on both his arms With jokes and games and funny tales On this nephew wove his charms Both his kids were born affected, And his lungs began to fail Doesn't take much of a detective To understand this sordid tale: Bridge Those boys were used as guinea pigs By the red, white and blue Never asked for their permission To be nuclear barbecue Our government’s plans disgraced ’em As the islands, they defaced ’em Islanders?--displaced ’em So the bombs wouldn't baste ’em. When his grieving widow Seeks the benefits she is due The Feds just say, ”We’re sorry, There is nothing we can do. A fire swept through one building And consumed the whole 6th floor It burned up all the records So we can’t help you anymore.” Last Chorus Don’t close your eyes Next time around Or we’ll be surely blind Stand up and ask the questions that are stewing in your mind They’re always testing some new weapon So let’s all remember, please: At the Atoll they called Bikini…
5.
Simple Gifts 03:33
Instrumental
6.
It’s another winter’s day in Colorado Beneath a silver sky Another winter’s day in Colorado One blue sky moment, turns to gentle snow. Last week the ice was thick and solid on the lake Young and old strapped on their blades to glide and skate The sun grew warm, white sky turned blue, the green ice turned to clear and the sign changed to say it wasn't safe to skate anymore around here. Warming earth beneath the gaze of bright winter sun the tawny tan of everything that once was green Only marks the moments between the growing seasons And the birds that brightly sing, an early foretaste of Spring. Shirtsleeves tempt the hurried to repack their coats, Store the boots and gloves and hats away. Yet like a friendly prank, the breezes shift and rain begins to mist and slowly it thickens, a downy mantle, snowy white.
7.
The water is wide, — I cannot cross over And neither have — I wings to fly Build me a boat — that can carry two — And both shall row — my love and I A ship there is, — and she sails the seas She's laden deep— as deep can be But not so deep — as the love I'm in — And I know not — if I sink or swim I leaned my back— against a young oak Thinking it was — a trusty tree But first it bent, — and then it broke — Thus did my love — prove false to me O waly waly — up the bank And waly waly — down the braes And waly waly — by yon burn side — Where me and my love — were wont to gae
8.
Instrumental
9.
1. I was a rather lonely gent, just the right dose of pride Not too tall, nor too skinny, Not too much to hide “I determined to find someone to sing the songs in my soul, Find a mate, my better half, to make my world whole I saw her ad in the paper And I wrote my check right away And sent it off into the mailbox The very same day. Chorus Mail-Order Bride, she was my Mail-Order Bride My anticipatin’ heart nearly busted open wide I / heard a honking horn from that brown truck parked outside moment I’d been waiting for had finally arrived the day I opened up the box and saw her there inside Is when I met and fell in love with my 6-String Mail Order Bride! 2. She was a real beauty, gently curving were her sides Her neck was long & slender, her hips were flaring wide I couldn’t tell what she was feeling, she appeared reserved & shy So I held my arms out to her & said, “Come on, let’s try.” I cradled her to my bosom, Her body molded tight to mine I brushed my fingers ’crossed her middle I felt her come alive! Chorus 3. Since we / both were unacquainted mine was a tender touch The sound she made did guide me, she taught me, Oh!, so much. My fingers ached a little but that didn’t bother me We grew ac/customed to each other as she sat upon my knee. She was my… Chorus 4. We sang just fine in private but soon there came that day When I took her out in public my nerve slipped away I looked at other couples and saw they looked so fine The sound they made together made me doubt the worth of mine A mere 40 dollars had brought her From her birthplace right to my door We hadn’t ever really courted I feared I didn’t love her anymore. Chorus 5. So as some time passed by I grew more ashamed Of my “bargain basement baby”, my wildest dreams were tamed. My life grew full and busy and I put her away. From the corner where she stood in dust, she called to me one day. She nestled close to my bosom Her body shared its warmth with mine As her strings tickled my fingers Together we came alive! Chorus
10.
Orphan Train 04:42
1. I ain't got nobody, I'm in this world alone and I ain't got no money, no place call my own. My Ma and Pa they up and died, to heaven they have flown so I'm Now I'm ridin' on these singin' rails Upon the Orphan Train. 2. They found me in the city, livin' on the street They found me in the city, nothin' on my feet They said that they would send me To a family out West Now I'm ridin' on these singin' rails Upon the Orphan Train. CHORUS: Orphan Train, Orphan Train A hundred more just like me, who long to hope again. We're ridin' here together upon the Orphan Train. 3. So we're goin' to Wisconsin, to Minnesota, too. To a place we're never heard of, to see a face we never knew I hope they'll treat me kindly And maybe love me, too. Now we're ridin' on these singin'
11.
Instrumental
12.
Air Falalalo 05:13
There's a lilt in the song I sing, there's laughter and love;
 There's tang of the sea, and blue from heaven above;
 Of reason there's none, and why should there be, for bye
 With the fire in the blood and toes, the light in the eye? Chorus Air falalalo, horo, air falalalay, Air falalalo, horo, air falalalay,
Air falalalo, horo, air falalalay, Falee, falo, horo air falalalay. The heather's ablaze wi' bloom; the myrtle is sweet;
 There's a song in the air; the road's a song at our feet;
 So step it along as light as the bird on the wing,
 And, stepping along, let's join our voices and sing. Chorus And whether the blood be Highland, or Lowland or no';
 And whether the hue be white, or black as the sloe;
 Of kith and of kin we're one, be it right, be it wrong, 
If only our hearts beat true to the lilt o' the song. Chorus
13.
Maquiladora 05:09
Mario and Rosa moved with their family Up to the border of Texas Seeking a job, and a roof overhead, some food and some hope for the future. Early next morning, Mario went walking to the door of the shiny new plant But they turned him away, as he heard them say, “Do you have some young daughters at home?” For only their young, teenaged daughter, Rita, was offered a job In high heels and a dress, harassed and distressed She’s working in the “mill of gold.” In high heels and a dress, harassed and distressed She’s working in the “mill of gold.” Coro Maquiladora, paying just nickels a day Maquiladora, you’ve taken my dreams away. (Interlude) Michael and Barbara, struggle to make it They’ve got Jason and Jessie to feed Michael’s been working day in and day out, and overtime right here at Leeds. The rumors were flying, but he couldn’t believe them, Right here in the US of A, But finally the truth came straight home to roost When he got the pink slip in his pay. “This plant’s making too little profit,” were the words from the manager’s mouth; “Despite the big check in the stockholder’s hand, This factory is moving down South.” “Despite the big check in the stockholder’s hand, This factory is moving down South.” Coro Begun as a dream, of building a team that straddles and bridges the border “Twin factories paired, to do work that is shared” was forgotten in very short order. With few taxes to pay and no EPA and no safety laws to go by What began as a dream, twisted into a scheme to avoid the public eye. Our taxpayer’s dollars a paying To build bridges that we cannot use, Over toxic waste flowing down under the sand that is feeding the Rio Grande. And the companies watch without even a blink As both sides drink from river and sink That is fed by the Rio Grande. Coro

about

This recording has long been requested by my audiences. It is most like my live shows where I trade instruments and weave together original and traditional songs with instrumental tunes as I share the "sweet music" of dulcimers.

I believe that the divine purpose of music is to create community and it has been my great privilege and pleasure to share in the creation of this music with the following colleagues:

Russ Hopkins (BLIND MONKS)
Carole & Teresa Lundgren (RANDOM ACTS)
Mike Moxcey (banjoman jam partner & songmeister extraorinaire)
Heather Wegter (soulful harmonies)
Kevin Jones (deep baritone pipes)

Thanks to the Breath of Life whose breezes make my flight possible and to Connie, Kaitlin & Zachary who make it worthwhile. And thanks to master engineer Russ for his vision and support.
——Sing your soul! Steve Eulberg

credits

released July 1, 2001

All Songs & Arrangements ©2001 Steven B. Eulberg (BMI), except as marked. All rights reserved.

Produced by Steve Eulberg
Owl Mountain Music, Inc.
www.owlmountainmusic.com

Recorded, Mixed & Mastered by Russ Hopkins, KIVA Records, Fort Collins, Colorado

Cover Photo by Russ Hopkins
Promotional photos by Valerie Beers, Natural Image Photography
Lake Michigan photo by Gary Marx.
Grand Canyon Photo by Connie Winter-Eulberg.
Manufactured and printed by Disc Makers, Pennsauken, NJ, USA

Steve Plays:
Dusty Strings hammered dulcimer (D-260B)
Folkroots Mountain Dulcimer (he built in 1980)
McSpadden baritone mountain dulcimer (cherry-won at Winfield in 1998)
Hughes Church Dulcimer (he built in 1995 and converted to bass dulcimer in 1999.)
Huss & Dalton DS Guitar
Getzen Capri Short Model Cornet
Upright bass found in the janitor's closet at church
Sigma Mandolin

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all rights reserved

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about

Steve Eulberg Boise, Idaho

I stand within the tradition of handmade, acoustic,
home-grown music, giving life to old songs and
tunes and songs by passing them on while creating
new ones to add to the mix.

I use the vibrations of wood and string, playing and singing traditional songs and fiddle tunes; weaving
together Celtic, Old-time, blues and jazz to create “Smile-inducing, toe-tapping, thought-provoking
folkgrass.”
... more

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