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1.
Instrumental
2.
Instrumental
3.
Shenandoah 05:00
Instrumental
4.
Instrumental
5.
Instrumental
6.
Matthew 05:30
Had an uncle named Matthew He was his father's only boy Born just south of Colby, Kansas He was his mother's pride and joy Yes, and joy was just the thing that he was raised on Love is just the way to live and die Gold is just a windy Kansas wheat field And blue is just a Kansas summer sky And all the stories that he told me Back when I was just a lad All the memories that he gave me All the good times that he had Growin' up a Kansas farm boy Life was mostly havin' fun Ridin' on his Daddy's shoulders Behind the mule, beneath the sun Yes, and joy was just the thing that he was raised on Love is just the way to live and die Gold is just a windy Kansas wheat field And blue is just a Kansas summer sky Well, I guess there were some hard times And I'm told some years were lean They had a storm in forty-seven A twister came and stripped them clean He lost the farm and lost his family He lost the wheat and lost his home But he found a family Bible Faith as solid as a stone Yes, and joy was just the thing that he was raised on Love is just the way to live and die Gold is just a windy Kansas wheat field And blue is just a Kansas summer sky So he came to live at our house And he came to work the land He came to ease my Daddy's burden And he came to be my friend So, I wrote this down for Matthew And it's for him the song is sung Ridin' on his Daddy's shoulders Behind the mule, beneath the sun Yes, and joy was just the thing that he was raised on Love is just the way to live and die Gold is just a windy Kansas wheat field And blue is just a Kansas summer sky
7.
Instrumental
8.
Instrumental
9.
Aura Lea 02:42
Instrumental
10.
Redwing 03:31
Instrumental
11.
Sand devil spinnin' across the plain Towerin' up to the sky Spinning and whirling, twisting and turning question mark hanging high Swirling its way to where I stand Beckons me inside Shake my head to its siren song let it pass me by NOT MY MONKEY, NOT MY CIRCUS Truckin' down the interstate Potholes in my way Ziggin' zaggin' right and left Till the break of day Traffic lined up heel to toe Down to just one lane Crowding up my tailpipe Get me off this train! NOT MY MONKEY, NOT MY CIRCUS When I feel like a free-stone peach Hanging on an apple tree Everyone else within my reach ain't at all like me. times when I don't fit the mold I hear my Grandpaw say, "Shake the dust from off your shoes Just turn and walk away." NOT MY MONKEY, NOT MY CIRCUS.
12.
Instrumental
13.
Instrumental
14.
June Apple 03:24
Instrumental

about

The award-winning second recording by Fiddle Whamdiddle, continues celebrating old-time music on fiddle and dulcimers.

Bronze Medal (Finalist) in two Global Music Awards categories: Duo and Folk

Vi thanks his family, friends and fans for their support, and especially Christina.
Steve thanks Local 1000 AFM, his patrons at www.patreon.com/steveeulberg and especially Connie.

Steve used these instruments on this recording:
McSpadden Special Mountain Dulcimer
Galax Mountain Dulcimer by Ben Seymour of Kuzupatch Productions.
Dusty String D-650 and D-550 Hammered Dulcimers (both with dampers.)

Special thanks to Evan Smith, Luthier, for the use of his violin played on The Blackest Crow
Special thanks to patron Jim Frye for the loan of his D-550 hammered dulcimer.

credits

released May 16, 2017

Produced and arranged by Steve Eulberg and Vi Wickam.

Recorded at:
El Cerrito Records, El Cerrito, CA (tracks 6, 8 10, 11, 13, 14)
Oscar Autie, engineer
Stout Studios: Fort Collins, CO (All other tracks)
Darren Radach, engineer
Mixed by Darren Radach
Mastered by Rand LeRoy, Airshow Mastering, Takoma Park, MD

Photography and Jacket Design: Christina Gressianu

license

all rights reserved

tags

about

Steve Eulberg Boise, Idaho

I stand within the tradition of handmade, acoustic,
home-grown music, giving life to old songs and
tunes and songs by passing them on while creating
new ones to add to the mix.

I use the vibrations of wood and string, playing and singing traditional songs and fiddle tunes; weaving
together Celtic, Old-time, blues and jazz to create “Smile-inducing, toe-tapping, thought-provoking
folkgrass.”
... more

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